We’ll define the sound of your project together through references, conversations, and (ideally) a good coffee or two. Whether it’s a full spotting session or a loose creative brief, together we'll shape a clear musical direction that fits your world.

I compose in Logic Pro X primarily, writing cues to picture, producing final tracks or building adaptive scores for games. For interactive work, I design vertical and horizontal sequences ready for Wwise, FMOD or your engine of choice, so the music feels seamless, responsive, and alive.

This is where the music really comes into its own. I run a focused, collaborative feedback process sharing drafts, responding to notes, and refining quickly. Whether you’re giving detailed timecodes or broad strokes, I make sure we land exactly where you want it.

Everything is delivered to a professional standard: timecoded broadcast WAVs, high-quality masters, and clean, organised stems for mixing or implementation. Ready to drop straight into your edit, mix, or engine.